[5] Furniture as Sculpture
Jean Prouvé's 1950 Antony Chair reimagined through Virgil's lens—clear plexiglass meets construction-orange steel in a study of transparency and industrial honesty. This collaboration embodies Abloh's "3% rule," where minimal intervention transforms a modernist icon into contemporary sculpture that questions the relationship between visibility, structure, and domestic space.
Jean Prouvé's 1950 Antony Chair reimagined through Virgil's lens—clear plexiglass meets construction-orange steel in a study of transparency and industrial honesty. This collaboration embodies Abloh's "3% rule," where minimal intervention transforms a modernist icon into contemporary sculpture that questions the relationship between visibility, structure, and domestic space.
• Antony Chair (Virgil Abloh c/o Vitra, 2019) — Jean Prouvé's 1950 classic reimagined in clear plexiglass and construction-orange steel, embodying transparency as honesty.